"The notion of the hag at its essence speaks to how, in many cultures at least, older women are figures of disgust," explains Deborah Jermyn, a film studies researcher at the University of Roehampton, of these movies. "In a society where women's capital is most overtly tied to beauty and fertility, and beauty and fertility are the province of youth, older women thus cease to have a demonstrable function, and their presence becomes troublesome, repugnant and irksome. This is why older women featured heavily among those historically accused of being witches; Hagsploitation cinema crystallises all these ideas."
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